Global Challenges
Special Issue no. 3 | October 2025
Arts and the Study of the International
Arts and the Study of the International | Figure for the Issue

Arts and the Study of the International

SLIDER Three primary lines of inquiry emerged from my early image (re-)assembly

  • Montage 1: Waiting with, differentiated temporalities in shared waiting

    It is unsurprising that waiting has a collective aspect, fostering interaction and potential solidarity. Yet, juxtaposing images like this film still from Peter Nicks’ The Waiting Room (a woman awaiting a consultation alongside her partner) and Edgar Degas’ painting L’Attente (a young dancer accompanied by a possible chaperone) raises questions about differentiated temporalities in shared waiting. How does the presence of accompanying individuals who share the waiting experience, even though they are not directly waiting for anything, alter the dynamic of waiting?

  • Montage 2: Spatialization of hope and frustration in public waiting spaces

    When positioned in proximity to one another, images of public waiting spaces prompt reflection on how their architecture contributes to the experience of waiting. Several scholars have explored waiting as a tool of power. In this context, montages can help foster a closer engagement with how the materiality of spaces and objects configures waiting, embeds power relations and makes waiting individuals aware of their position relative to spaces whose thresholds they have crossed.

  • Montage 3: Domestic waiting, gender and digital mediations

    The third montage questions gendered narratives of waiting and domesticity. Some images depict women as passive figures, gazing through windows that symbolize thresholds between interiors as sites of non-events and external action. When these are arranged together with Andrea Diefenbach’s photos from the series Country Without Parents, showing Moldovan children waiting by phones or computers for news from their parents who work in Italy, they offer new avenues for reflection.

  1. Montage 1: Waiting with, differentiated temporalities in shared waiting
  2. Montage 2: Spatialization of hope and frustration in public waiting spaces
  3. Montage 3: Domestic waiting, gender and digital mediations

Nora Doukkali