Arts and the Study of the International
Montage 1: Waiting with, differentiated temporalities in shared waiting
It is unsurprising that waiting has a collective aspect, fostering interaction and potential solidarity. Yet, juxtaposing images like this film still from Peter Nicks’ The Waiting Room (a woman awaiting a consultation alongside her partner) and Edgar Degas’ painting L’Attente (a young dancer accompanied by a possible chaperone) raises questions about differentiated temporalities in shared waiting. How does the presence of accompanying individuals who share the waiting experience, even though they are not directly waiting for anything, alter the dynamic of waiting?
Nora Doukkali Elamajidi